Chowgan is a cultural, artistic and sports event, which has a strong connection with the identity and history of its participants and its audience.
A very beautiful mosque is in Naqsh-e Jahan Square, in front of the magnificent Ali Qapu Mansion, which is called the Sheikh Lotfollah Mosque.
Shah Abbas loved the calligrapher of his court, Alireza Abbasi, so much so that sometimes he himself held a candle in his hand so that the calligrapher could do his writing under its light.
Many stories and narratives have been related about the sixth floor of the Ali Qapu Palace, which is known as the music hall; stories that some of them are fanciful and strange.
On top of the Qeysarie Gate of Isfahan Bazaar in Naqsh-e Jahan Square, an image of a horse archer, formed as half-human and half-horse, is patterned on a mosaic tile.
In September 1651 AD (1030 SH), Isfahan was in turmoil. It was burning of a pain, which its tumult caused the world unrest.
Based on evidence gathered, the name of Naqsh-e Jahan Square comes from a garden with the same name, which was in the vicinity of the current location of the square.
In the past, a certain religious ritual was held at Naqsh-e Jahan Square. This special ceremony, which was held at the time of sunset, was a remainder of the times before Islam and the religion of the magi.
Isfahan was one of the first cities to outlaw the sales and usage of tobacco. The people of Isfahan also followed suit and resisted the foreign monopoly on the trade.
One day, Shah Abbas went to the bazaar to visit Mullah Abdollah at Mullah Abdollah School. Amazingly, he found the school empty of students.
Sarem-o-Doleh, the son of Zell-o-Soltan, being the grandson of Naser-al-Din Shah and a descendant of the Safavid dynasty, claimed himself to be the inheritor of the Safavids.
Jean-Baptiste Tavernier, who was in Isfahan at the beginning of Shah Suleiman’s rule, described the atmosphere of Muharram in Naqsh-e Jahan Square, in his traveloque.