The life story of Saru Taqi is very bitter and sorrowful. Saru Taqi was the son of a baker from Azerbaijan; yet he could reach the highest positions in the governmental system.
Much has been said on the fame and glory of Mir Emad, but there is a story that explains the cause of Shah Abbas’s estrangement from the renowned calligrapher.
The Sheikh-ul-Islam Historic House was a gift from Shah Abbas II to his daughter, Sarv-Ghad Khanum, on the occasion of her marriage to Mohaghegh-e Sabzevari, who was a famous scholar of the Safavid period.
After completing the Khajou Bridge’s construction, Shah Abbas II made Maqsoud Beyk, the court’s majordomo, responsible for decorating and illuminating the bridge.
Shah Abbas loved the calligrapher of his court, Alireza Abbasi, so much so that sometimes he himself held a candle in his hand so that the calligrapher could do his writing under its light.
Many stories and narratives have been related about the sixth floor of the Ali Qapu Palace, which is known as the music hall; stories that some of them are fanciful and strange.
On top of the Qeysarie Gate, a hole can be seen, which is the empty place of a clock made by an English man named ‘Fasty’ for Shah Abbas I.
When Shah Abbas got into power, he tried to move the Armenians of Armenia towards Iran’s frontier and evacuate that area.
One day, Shah Abbas went to the bazaar to visit Mullah Abdollah at Mullah Abdollah School. Amazingly, he found the school empty of students.
Sarem-o-Doleh, the son of Zell-o-Soltan, being the grandson of Naser-al-Din Shah and a descendant of the Safavid dynasty, claimed himself to be the inheritor of the Safavids.
Naqsh-e Jahan Square, with its vast dimensions, was the best place to play chogan. Another game called qapoq-andazi was also played in that field.
When a shortage of marble was faced during the construction of the Abbasi Jame Mosque, Shah Abbas ordered them to compensate for it by removing and reusing the marble stones of the Atiq Jame Mosque.